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Inside Out + Back to Front

by Ian Lilburne

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  • Compact Disc (CD) + Digital Album

    Quality compact CD of original album including a selection of live tracks recorded at Kulcha, Fremantle July 30, 2011 together with studio recordings. .

    Includes unlimited streaming of Inside Out + Back to Front via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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1.
LIGHT TRAVELLING MAN You might think I’m talking I’ve not said a word My passport’s been stamped My visa secured I’m standing here waiting First one in line The only place for A light trav’ling man In this twenty-first round I’ve signed all my papers I’ve had all my tests The results were not bad Not the best But in a black leather coat And prescription Ray Bans I’m the image of A light trav’ling man One of the gang You caught me laughing The joke was on me But your smile reconciled Our complicity You know that I’ll love ya The best that I can But remember at heart I’m a light trav’ling man I travel alone CHORUS So drink Dance The language of love Is written in laughter Scribbled in blood Etched in tears Blistered by sighs Its face always changes Never dies However we try With a litany of lies A pen and some paper Are all that I need A bed for my head A chair for my feet But a new Smart phone With its slick digi cam Is the complement of A light trav’ling man In this zero-sum game I’ll meet you in Moscow I’ll meet you in France I’ll book the connections Won’t take the chance It’s not worth the risk Won’t you please understand You don’t want to waste time As a light trav’ling man Never again I’ll dance to your beauty I’ll sing you a song I’ll wait on your pleasure But I won’t wait too long I did that twice Spoiled all my plans Condemned me to be A light trav’ling man Last of my clan So drink Dance The language of love Is written in laughter Scribbled in blood You might think it’s lust But then you’d be fooled That’s the grand joke The way love can be cruel And ever so cool SOLO Let’s skip the country We’ll head for the sea The train leaves at midnight The frontier is free But the checkpoint is tough The guard can’t be scanned He’s a devotee of A light trav’ling man One and the same I’ll take the vows I’ll whisper the words I’ll cross my fingers And hope that you’ve heard But if you’re pretending It’s all just a scam I’m content to remain A light trav’ling man I’ll go there again So drink Dance The language of love Is scripted in power Scribbled in blood Etched in tears Riddled by sighs Its face always changes Never dies However we try You might think I’m talking I’ve not said a word I’ve just been dissembling The things that you’ve heard The dreams The desire That’s where we began And I warned back then I’m a light trav’ling man I’ll warn you again La da da da I’ll warn you again La da da da I’m a light trav’ling man I travel alone © Ian Lilburne Genoa July 2010
2.
VISIONS OF SPLENDOUR (THE 9 TO 5 BLUES) I woke up this morning And I jumped out of bed Yeah, I woke up this morning And literally leapt out of bed I was so full of life I had visions of splendour in my head Made myself some breakfast And jumped into the shower I brewed a pot of coffee And had eggs wrapped in cornflower I headed off for work And got there on the hour (So damn punctual it’d make you sick) Well right about then Things started to head down hill My boss was in a vile temper And his EA looked like she might kill By mid-morning I wished I’d stayed in bed ill (That EA, she was so vicious, she could make a grown man cry.) SOLO I got home this evening And I fell onto my bed Yeah I got home this evening And collapsed back into bed I wonder what happened To that vision of splendour in my head © IAN LILBURNE 2004
3.
!NS!DE OUT + BACK TO FRONT Blackbirds sing + black crows fly The other week I saw two of them Having a fight They were vicious Out for blood I couldn’t help thinking They must’ve once been in love You rolled away + slipped out of bed You thought I was sleeping Felt like I was dead You crept downstairs To do that ‘thing’ I couldn’t help wondering How did it come to this? Inside out + Back to front Upside down + Blue Love is like a river Flowing Back to you Shadows falling ‘cross my eyes That blackbird’s calling Can’t you hear him cry The room’s warm In the morning sun The bed’s wide But it’s so undone I hear you calling Out my name But when I answer You turn away You say you’re talking On the phone Trust me To hear you wrong? Inside out + Back to front Upside down + Blue Love is like a river Flowing Back to you BRIDGE Blues solo Inside out + Back to front Upside down + Blue Love is like a river Flowing Back to you ©2010 MUSIC + VERSE: IAN LILBURNE CHORUS: JOHN HARRIS + CHRIS NORMAN TURNAROUND: CHRIS NORMAN
4.
KAMIKAZE ROMANCE A kamikaze romance For a haemophiliac heart You can’t stay together But you can’t keep apart Don’t talk about common sense You know this one is stranger It isn’t an accident When you’ve got a choice You didn’t want it to happen Now you can’t let it end And you know that it’s foolish You listen to your cynical friends They poke fun at your innocence And say you’re flirting with danger And even your reticence Won’t see you through But it’s no great drama You just don’t know what to do You’re driven by fever Cause love has got a hold of you It’s got a hold of you SOLO Don’t talk about common sense You know this one is stranger It isn’t coincidence And it isn’t fate But it’s no great drama You just don’t know what to do You’re driven by fever Cause passion has a hold on you It’s got a hold of a Kamikaze romance For a haemophiliac heart You didn’t want it to happen And now you can’t make it stop Don’t talk about innocence You know you’re flirting with danger It isn’t an accident When you’ve got a choice But it’s no great drama You just don’t know what to do You’re driven by fever Cause love has got a hold of you It’s got a hold of you © Lilburne|Oxenburgh Music : 1989/2012 LILBURNE Lyric: 1989/2000 LILBURNE|OXENBURGH
5.
Labyrinth 03:46
LABYRINTH I really don’t know what to say Been on this case for a couple of days And when I get close It slips away Like the waves on the sand My sense of duty is wearing thin I don’t where I should begin Or where to turn to look again Two Three Four Where’s the key I’m searching for? Zwei Drei Vier What’s that word I long to hear? I really don’t know what to say Been on this trace for a couple of days And when I get close it slips away Like your hair through my fingers My patience is wearing thin I don’t know where to move my men Or when to turn the clock again I want to plant my seed in fertile soil I want fair return for my toil This delay makes my blood boil I really don’t know what to do Everywhere I look I miss the clue This labyrinth riddles you © IAN LILBURNE 1986
6.
DRIVING ME CRAZY You’re driving me crazy You’re driving me mad You’re driving me utterly wild It’s kinda scary It’s kinda sad That I should feel this inspired I just can’t get enough of you And it get’s better every time You’re driving me crazy You’re driving me mad You’re driving me out of my head It’s gotta be lazy It’s gotta be bad How many more weekends can we spend in bed? I just can’t get enough of you And you keep on coming back for more You’re driving me crazy You’re making me soar (Like a bird) SOLO You’re driving me crazy You’re driving me mad You’re driving me somewhere I don’t need to go I mean, do you respect me? Am I your man? Or am I just you latest toy? I just can’t get enough of you But you just treat me like a child You’re driving me crazy You’re driving me You’re driving me crazy You’re driving me You’re driving me crazy You’re driving me wild © IAN LILBURNE MUSIC: 1999 LYRIC: 1999 — 2005
7.
LONELY OLD MAN In my heart I’m still wild and kicking In my head I’m still seventeen But in the glass the time bomb’s ticking I’m heading straight to smithereens Yeah I’m a lonely old man No-one wants me, no-one needs me Lonely old man Couldn’t make a woman cry Lonely old man No-one loves me, no one heeds me Lonely old man Pretty soon I’m gonna die All my friends are busily married Grandchildren bouncing on their knees Well that was never on my agenda No girl could ever stay with me CHORUS MIDDLE EIGHT The joy of family Christmas mornings Is something I have rarely known I’m the crusty old uncle Who winds up driving home alone CHORUS One thing ‘bout not having children My money’s all my own Still you can’t take it with you Guess I’ll leave it to the dog home Yeah I’m a lonely old man No-one wants me, no-one needs me Lonely old man You can hear the children cry He’s a lonely old man No-one loves him, no one heeds him Lonely old man Pretty soon I'm gonna die Pretty soon I'm gonna die Pretty soon I'm gonna die © IAN LILBURNE 2006
8.
JOHNNY WON THE EIGHTS One day in my youth I was hanging out ― as you do The scalies in my living room Were riffing the air with tunes We were smoking It was cooking [hot] Johnny burst in [late] He’d been rowing [a lot] He fell onto the floor Clenched his fists in the air And screamed at the top of his lungs WE WON!!! (Two, three, four) Johnny won the eights! Well, we’re an ornery crew All excitement we eschew Rather than appear the fool We’ll opt each time to play it cool So nary a word was spoken As Johnny crouched there, expectin’ And with barely a break in our beat Slowly he climbed to his feet But an interloper at this session Thought he’d teach young Johnny a lesson So when the music began to swing Scallywag Scotty started to sing Johnny won the eights! INSTRUMENTAL BREAK A year later To the very day The scalies were back Having another play When Johnny sloped in And grinning a grin He said, ‘well my friends, We did it again’ Johnny won the eights Johnny won the eights Johnny won the eights (Johnny formed The Broken Hearts) © IAN LILBURNE MUSIC: 1986 LYRIC: 1987/2012
9.
WOULDN’T KNOW WHAT DAY IT WAS Went out to lunch Just the other day Ran into an old friend She was really blown away Her eyes were glazed vacant And I couldn’t follow a word that she’d say She used to be so smart Now she’s fallen all apart And you wouldn’t know what day it was Went to a session On a sunny afternoon There were all these people dancing To those off-beat Rasta tunes There was one wan aging hippy With his dreadlocks + his worn-out shoes He was trying to keep the beat But he kept slipping off his feet And you wouldn’t know what day it was Went to a party Just the other night There were all these people dancing They were looking very bright The were hugging and kissing indiscriminately There was a guy in the corner Peddling ice + ecstasy They were very cute And apparently astute But you wouldn’t know what day it was Went to a church Just the other day To hear a few last words About a friend who passed away They said that he was clever What a pity that he died so young His life was hard to crack With a monkey on his back And you wouldn’t know what day it was Don’t you know it’s true No matter what you do You wouldn’t know what day it was © 1988 MUSIC: JOHN HARRIS LYRIC: LILBURNE|HARRIS
10.
THIS INTO SOMETHING I’ been running all day I’ been running away I’ been running to work Running to play Things are happening to me in a haphazard way And I’m glad it’s the weekend So what do you say? Let’s get away We could drive to the coast We could stare at the sea We could walk along the sand that sits by the river We could even go bird watching — if we wanted to So, how can we turn this into something? So, how can we turn this into something Worth waiting for? So what do you say? Let’s getaway We could drive to the coast We could swim in the sea We could run along the sand On the strand by the river We could even go hang gliding — if we wanted to Just me and you In a sky so cascadingly clear Over the hills and Over the valleys and All of the trees The pines and the karris With our bright plastic patterned wings We could fly Just you and I I’ been running all day I’ been running away I’ been running to work Running to play Things are happening to me in a haphazard way And I’m glad it’s the weekend And I’m here in a circle of friends So how can we turn this into something? So how can we turn this into something Worthwhile? Or at least worth a smile On a Sunday afternoon? © IAN LILBURNE 1996|98

about

These songs, a combination of live performances and studio constructions, were recorded between 2011 and 2014. The live tracks are from the launch of the Ghost CD at Kulcha (Fremantle, WA) on 30 July 2011. The studio tracks were recorded at Shanghai Twang Studios by Pete Grandison between 2011 and 2014. The whole set were mixed and mastered in the winter and spring of 2016.

credits

released November 1, 2016

Ian Lilburne: Lead Vocal, Spanish Guitar, Keyboard (4)
Pete Grandison: Acoustic + Electric Guitar, Lap Steel, Mandolin,
Backing Vocals, Programming
Peter Anthony: Electric Guitar (8)
Phil Bailey: Bass (everywhere), Backing Vocals (1+10)
Tony Borthwick: Sax (8)
Abe Dunovitz: Electric Guitar (3,6,7,9), Percussion (10)
Ava Grandison: Backing Vocals (8)
Kate Hall: Backing Vocals
Rueben Kooperman: Snare (5+9)
Chris Norman: Acoustic Guitar (4)
Peter Smith: Drums
Jennifer Tingley: Cello
Cathy Travers: Accordion + Backing Vocals (10)

Live recording: Jericho Music
Studio recording: Shanghai Twang Studios by Pete Grandison
Mixed and mastered: Pete Grandison 2016
Produced by Ian Lilburne and Pete Grandison
Copyright Aeon Songs 2016

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Ian Lilburne Perth, Australia

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